At this point, it's no longer a hot take to say that nerd culture has gotten out of hand. I imagine in thousands of years when the Earth starts to resemble Mars, the only remaining trace of human life will be an open grave of deep-cut Funko Pops. That being said, I am a huge … Continue reading Temnein – Tales: Of Humanity and Greed Review
Hey do you guys remember that Kanye album last year? You know, the shitty one that a bunch of old people strained really hard to enjoy? Well what if it was a powerviolence album that was 4 minutes shorter, had better politics, and - most importantly - was actually good? That album would be Satan … Continue reading ACxDC – Satan Is King Review
With the despairing state of the world at the moment, you would think this metalhead would convert to poptimism to maintain some sense of sanity. And to give poptimists their due credit, 2020 has been a pretty great year for pop music so far. But alas, I find myself delving further into the worlds of … Continue reading Foretoken – Ruin Review
Having gone to college in the early 2010's, I have developed an acute aversion to anything that can be labelled "acoustic singer-songwriter." But quad flashbacks aside, it's nice to be reminded that the genre can actually be great. On her debut EP Our Friends Pt. I, Lila Tristram does just that. Tristram uses the EP … Continue reading Lila Tristram – Our Friends Pt. I EP Review
Elder are among the pantheon of stoner/doom bands such as Khemmis, Pallbearer, YOB, and Spirit Adrift who've achieved critical acclaim and risen above and beyond the ranks of their subgenre ilk. Where Elder separate themselves further, however, is the loosening of their stoner/doom ties on their latest album Omens. Elder have always been the proggiest … Continue reading Elder – Omens Review
When you think "black metal," Australia may not be the first place that comes to mind. But like that Snorlax album I reviewed earlier this year, the land Down Under has its fair share of blackened greatness. The latest installment comes from Graveir, a five-piece from Melbourne, with their new album King of the Silent … Continue reading Graveir – King of the Silent World Review
One thing that I've really enjoyed about operating Burnt Coffee HQ is the amount of stellar debuts we've seen come across the desks of our caffeinated enterprise. If it weren't for this site, I may have missed out on several great new bands. The latest comes in the form of a debut single from In … Continue reading The Espresso – a quick review of In Earnest’s debut single “Put Me Under”
Prog and punk may seem like mortal enemies, but there's a London-based three-piece called Serpent Tax who play a mix of the warring styles. Usually my gripe with modern prog is that it's too easy to spot the ripoffs. Serpent Tax doesn't really sound like anyone, so that's a great start. But how exactly do … Continue reading Serpent Tax – Downpour EP Review
Spotlights are part of a legion of bands (see also: Holy Fawn, Niights) who take their shoegaze and post-metal influences beyond the My Bloody Valentine and Deftones aping of their peers to create something they can truly call their own. Their last album Love & Decay made my Top 20 list last year, so naturally … Continue reading Spotlights – We Are All Atomic EP Review
Several years ago I had the pleasure of seeing Crowbar open for Carcass. While I was a much bigger Carcass fan at the time, I was floored by both bands' performances. They're on different ends of the subgenre spectrum, but in the moment the booking made sense. However, the thought didn't occur to me until … Continue reading Beggar – Compelled To Repeat Review
